1/24/2024 0 Comments Siamese cat drawing easy![]() ![]() When dry, scratch in the highlight, using any sharp tool. Add a darker blue color to the top of the eye for the shadow. Take care not to disturb the spots that are fuzzed from the wet-on-wet technique. Softly add color to any area that you need to shape. Wet the spot behind the face on the upper neck and shape by adding the lighter yellowish/brown color. Drop the darker brown/blue mix in, starting in the foot. Drop in the lighter color and let it spread up into the body to shape the back. Wet the back feet and the lower part of the body. As the face is completely dry, rub the masking off the eye with your fingers. While everything is still wet, drop in the dark brown starting in the foot and extending into the leg. If you need to tone down any yellow add purple. To the wet area add a lighter burnt sienna/yellow ochre mixture. ![]() Remember the paint will continue to spread, so don’t go too far up.Īfter the original foot has completely dried, wet the second foot and bring the water up in front of the top of the first foot and into the body. Start at the bottom of foot and drop paint up into the leg. Do not get it too wet, or the paint will go higher than you want. I used a damp brush to wet the spot I wanted to remove and then blotted with a dry paper towel. It is here that I reshaped the muzzle of my cat. Drop the paint on the outer line and let the paint flow toward the center of the ear. ![]() If you need to darken the tail, repeat the original process.ĭampen the outer shape of the inner ear leaving the inner section wet. While the face is still damp, drop in a darker brown/blue mixture into the nose. Since watercolors dry slightly lighter, you may find that you want to darken the nose and or tail. Drop in the dark brown/blue mixture and let it run toward the face. Wet the upright ear starting on the drawn line and wetting toward the center of the face. You want the paint to spread in a soft furry look. fill your brush with the darker brown-blue mixture from the face and drop it into the middle of the tail. Dampen the tail and the surrounding area. The paint flowing into the wet section will give it a soft fur-like appearance. Let the paint flow toward the center of the face. While the face is still wet drop in a mix of burnt sienna, burnt umber and some blue to darken. Then, once you have your drawing ready, learn how to use to create form, layering to paint a portrait of a beautiful Siamese cat, start to finish. Make sure you only wet the area you want the paint to flow into. First, learn how to draw a realistic portrait of a cat, developing the shapes of the head and using various drawing methods to create a final pattern. Dry using either a hair dryer or patience. Use a mixture of burnt sienna and yellw ochre. The wet paper will pull the paint off the brush, softly adding color to the body. Take a brush full of the color you want and just touch the tip to the wet paper. You can see the mask I used is a soft bluish-green color, not to be confused with the final color of the eye. In this case I masked the eye because I want to paint it a Siamese blue. Masking is called by several names: maskoid, fisket, masking fluid, etc. This is also a good time to apply masking to the areas you want to keep white for the moment. (To see larger pictures of the cat click on the thumbnails.)Īlways start with a drawing. It is only fitting that we should do a tutorial about Siamese cats. The more vocal and demanding is Quigley Down Under, AKA Quigley. This drawing is very much like him - we sure do miss him still.The mascots for our studio are two cats. He was very clever and he understood every word I said. I had a beautiful cat called Munchee - he was 16 years old when he died. They truly do bring us joy - most of the time! If you have a cat as part of your family, you will be aware that they have a little personality of their own. You have to experiment with to discover which is the best way. I don't have much success with this method but it could be of more benefit to you. The other alternative is to construct the subject with a series of square and circular shapes. This puts your mind in neutral and you will have much more success this way. Look closely at the first line you have drawn and carefully compare it to your reference picture.Ĭoncentrate on copying line for line rather than on your own drawing. You have to stay focused on the true direction, re-draw that line again and continue copying to the best of your ability. We let our preconceived ideas of how this particular animal looks to dictate the movement of the pencil but we soon find out it's wrong. All you need to do is to look closely at the outline and copy it.ĭon't worry if your first line goes in the wrong direction because this happened to me, too. ![]()
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